| " Consistent & unanimous critical acclaim...a resounding triumph" - Howard Reich, Chicago Tribune | "A new form of music ... vital and compelling ... astonishing" - Pioneer Press |
| "Irresistible new sound" - Steve Parks, New York Newsday | "A genuine hybrid ... complex ... clever and ambitious" - Bill Kohlhaase, Los Angeles Times |
| "Outrageous fun" - Dimitri Drobatchewsky, Arizona Republic | "...A Significant step forward into new dimensions of feeling, content, and technique ... A classification-shattering mix." - Mike Fallarino, Jazziz Magazine |
| "Remarkable" - Paul A. Harris, St. Louis Post-Dispatch | "A first class-smasher of pre-conceived notions" - Glenn Giffin, Denver Post |
| "Jazz Critic's Choice / Classical Critic's Choice" - Los Angeles Times | "A joyous marriage of chamber music & the blues" - Studs Terkel |
| "Extraordinary musicianship ... powerful musical insight" - Jazz Now Magazine | "Simply fantastic" - Kaye Levine (PBS Producer of Great Performances) |
| "Scandalous !" - The Hollywood Reporter | "Mesmerizing, surprising, and all together pleasing" - Sing Out Magazine |
| "Hottest of the Hot" - Colorado Springs Gazzette Telegraph | "Full of the kind of playful eclectic music that fans just drool over" - Lisa Cramton-Wexton, Detroit Metro Times |
| "Blows a lot of peoples minds" - Aspen Times | "Exhilarating ... Stylish ... Imaginative ... and engaging" - Bill Williams, Chicago Reader |
| "Original, fresh, now, and vital. Fantastic." - Warren Gerds, Green Bay Press Gazzette | "An exotic new musical form" - Chicago Life |
| "Thoroughly delightful. The audience loved it. I loved it." - The State Journal Register, Springfield Il. |
